
The sculptues portray
people that are waiting
or pass by, alone, toghether
or as a group
Inspiration is Fernando
Pessoa's text: "Come
sit with me, Lydia, on
the riverbank. Let us quietly
watch the drift and learn
that life goes by and we do
not hold hands".

Long before we had the spoken
word, body language
communicated how a person
felt. Nowadays, we have the
word but it is often a curtain of
smoke or a mask, meant to hide
the inner world and lead the
other astray.
Our body language still
(involuntarily) gives away what
we really feel and think. WIth a
single gesture you can express
emotions like love, hate,
commitment, dependency,
loneliness, humor, pleasure and
happiness.
THERE IS A LITTLE VOICE IN MY HART
There is a silence moment, that gives a moment of importance and no importance.
These moments don’t hurt me at all, but hits you in a positive way.
The moment that an individual with all of their body and the power seeks for an explosion faster and faster so fast that the body would very much like to provoque this experience.
There are also moments or new moments which can be consistent against the changements
in its owner me.
But there is an overwhelming energy that helps you to give a sort of everlasting power of living, sadness, falling down, getting up, and even dying.
All these points gives me a target to find the silence in my sculptures.
Our body language will disapair.
But our innerly force will become visible by art.
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IN ENGLISH
Her sculptures are
earthly, monumental and
expressive. Matter and
emotion are in balance and although they appaer
very still at first sight,
the spectator soon
becomes aware that the
sculptues seem to move internally, in the treadmill of our existence. 
It is small, fleeting
moment, apparently of
no consequense, that
moves me and that I try
to catch.

IL Y A UNE PETITE VOIX DANS MON COEUR
C’est un moment silencieux, qui donne un moment important et pas important
Cela m’a touche tres fort.
Le moment don’t l’individue avec tout son corps et la force se montre dans une explosion,
vite, si vite que le corps voudrais bien provoquer avec l’entourage.
Il y a des moments ou le nouveau se deploie si progressivement que tu n’es pas conscient des changements.
Mais il y a une energie eternelle dans la vie qui nous donne le savoir vivre, qui nous laisse vivre, tomber, s’enlever, et mourir.
Ce movement c’est cela ceque je cherche dans la silence de mes sculptures. Tous ce que on a a faire est d’accompagner le movement et de ne pas y resister.
Tout ce que je construite avec mes mains est une prevue de mon corps.
Heniette Evenhuis
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